, you might think you’d stumbled into an Impressionist painting brought to life. The screen is saturated with vibrant sunflowers, golden meadows, and the lush greens of a French summer, all set to the joyous strains of Mozart.
Varda investigates whether happiness is a "natural" state or a constructed performance. The film’s title is ironic; it suggests that in a patriarchal society, happiness may be built on the interchangeability of women Sociopathy of the "Good Man": le bonheur 1965