Library for oriental\mediterranean pop? | Page 2 | VI-CONTROL
The zurna is rarely played solo. It is the melodic partner of the (a large double-headed bass drum). In Saidawi’s repertoire, the interplay is electric. He plays against the rhythm ( aksak meters like 9/8 and 7/8), creating a tension that releases only when the phrase resolves exactly on the downbeat. Listen to his collaboration with master drummer Yıldırım Caner; the duo creates a polyrhythmic complexity that rivals jazz fusion. Fayez Saidawi Turkish Zurna
by Fayez Saidawi is a specialized sample library designed for the Native Instruments Kontakt sampler. It is often distributed through the developer Findasound Authenticity Library for oriental\mediterranean pop
Known for a very loud, sharp, and piercing sound, the zurna is traditionally an outdoor instrument used for weddings and festivals. Construction: Usually made from fruitwoods like , it features a conical bore and a wide bell. Technique: Players often use circular breathing to maintain a continuous, drone-like melody. Cultural Context: In Turkey, it is almost always paired with the (bass drum) to accompany folk dances and ceremonies. Key Features of the Virtual Instrument Based on demos from , the Fayez Saidawi library includes: Fayez Saidawi Turkish zurna demo In Saidawi’s repertoire, the interplay is electric
The Turkish zurna is tuned to a specific microtonal scale based on the system. What makes the Turkish zurna distinct from its cousins is its ability to produce the koma —the quarter-tones essential to Middle Eastern makam (modal system). Fayez Saidawi exploited this fully. In his recordings, you can hear the precise articulation of Makam Hicaz (a mournful, Arabic scale) and Makam Rast (a more peaceful, stable scale) with clarity rarely achieved on such a naturally raucous instrument.
Unlike the Persian sorna or the Indian shehnai , the Turkish variant is distinguished by: