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Tilda Swinton, then in her twenties, became the perfect vessel for this vision. In The Angelic Conversation , she appears as a ghostly, almost pre-Raphaelite presence — silent, moving through stone corridors and empty beaches. Her face is not one of hedonistic appetite but of quiet resolve. Jarman’s camera lingers on her and on the male lovers (played by non-actors like Judi Dench’s son, Finty Williams, and the dancer Spencer Leigh), dissolving gender boundaries. Swinton’s libertine is “young” in the sense of eternal becoming: neither male nor female, neither victim nor victor, but a sentinel of queer futurity. She later recalled Jarman telling her, “You are not a woman; you are not a man. You are a creature.” That creature is the true libertine — unclassifiable, self-possessed.