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When a documentary focuses on the death of a child star ( Quiet on Set: The Dark Side of Kids TV ), is it raising awareness or profiting from trauma? The genre often walks a tightrope. Many surviving family members of the subjects in music docs have accused filmmakers of editing their loved ones to look manic or unstable for dramatic effect.

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Recent series like The Beatles: Get Back (2021), directed by Peter Jackson, represent a new sub-genre: the archival immersion. Using 60 hours of unreleased footage, Jackson turned a documentary about a band fighting during recording sessions into a cozy, compelling look at creative collaboration. It proved that an entertainment industry documentary doesn’t need a villain; sometimes, watching Paul McCartney noodle on a bass for an hour is enough. When a documentary focuses on the death of