Splatter School · Complete

To understand the , we must first look to Jackson Pollock. In the late 1940s, Pollock abandoned the easel. He placed massive canvases on the floor and, armed with hardened brushes, sticks, and syringes, he danced around the edges. He poured, he flicked, he flung.

. These are particularly helpful for boss fights that otherwise require risky close-quarters combat. Skip Option SPLATTER SCHOOL

Many fine artists are now fusing the two. They will paint a realistic portrait of a face using a brush, and then splatter the background. The contrast between the controlled face and the violent background is often more powerful than either element alone. To understand the , we must first look to Jackson Pollock

A defining—and highly graphic—feature of the game is its unique failure animations. If the player is defeated, the specific enemy that delivered the final blow performs a unique, often sexually violent animation. Narrative and Themes He poured, he flicked, he flung